NEW MEMBERS
NEW MEMBERS
We welcome new members! Ever fancied being someone else? Well, acting is a great way of taking on a new persona. If you've never experienced the buzz of pulling off a dazzling performance and getting acclaim from an appreciative audience, we can give you that opportunity. We like to involve new members as soon as we can, even if that means only a small part at first. If you would rather work behind the scenes, there are plenty of roles for you to make your mark, including set-building and decorating, sound and lighting, props, costumes, make-up, prompt, publicity, front-of-house, refreshments as well as producer, stage manager and director.
We put on two productions a year - in May and November - and occasionally enter drama festivals too. Usually we discuss and select the next play as soon as we can after finishing the last one. After casting, we rehearse on Wednesday evenings for about 3 months, with Mondays added for about 2 months. For the two weekends before performance evenings (usually Wednesday through to Saturday) it's all hands on deck to help build the set, dress and paint it, then do a technical rehearsal.
We welcome new members! Ever fancied being someone else? Well, acting is a great way of taking on a new persona. If you've never experienced the buzz of pulling off a dazzling performance and getting acclaim from an appreciative audience, we can give you that opportunity. We like to involve new members as soon as we can, even if that means only a small part at first. If you would rather work behind the scenes, there are plenty of roles for you to make your mark, including set-building and decorating, sound and lighting, props, costumes, make-up, prompt, publicity, front-of-house, refreshments as well as producer, stage manager and director.
We put on two productions a year - in May and November - and occasionally enter drama festivals too. Usually we discuss and select the next play as soon as we can after finishing the last one. After casting, we rehearse on Wednesday evenings for about 3 months, with Mondays added for about 2 months. For the two weekends before performance evenings (usually Wednesday through to Saturday) it's all hands on deck to help build the set, dress and paint it, then do a technical rehearsal.
THE REAL INSPECTOR HOUND
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The Real Inspector Hound is a short, one-act play by Tom Stoppard.
The plot follows two theatre critics named Moon and Birdboot who are watching a ludicrous setup of a country house murder mystery, in the style of a whodunit.
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MOTHER FIGURE​
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A mother is unable to escape from baby talk in this short play from the collection Confusions by Alan Ayckbourn,
which deals with the human dilemma of loneliness.
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A TALK IN THE PARK
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A short play from Confusions depicting five self-immolated characters on park benches. Confusions is actually a set of five interlinked one act plays.
Each play deals riotously, but with sharply pointed undertones, with human eccentricities and the human dilemma of loneliness.
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