NEW MEMBERS
NEW MEMBERS
We welcome new members! Ever fancied being someone else? Well, acting is a great way of taking on a new persona. If you've never experienced the buzz of pulling off a dazzling performance and getting acclaim from an appreciative audience, we can give you that opportunity. We like to involve new members as soon as we can, even if that means only a small part at first. If you would rather work behind the scenes, there are plenty of roles for you to make your mark, including set-building and decorating, sound and lighting, props, costumes, make-up, prompt, publicity, front-of-house, refreshments as well as producer, stage manager and director.
We put on two productions a year - in May and November - and occasionally enter drama festivals too. Usually we discuss and select the next play as soon as we can after finishing the last one. After casting, we rehearse on Wednesday evenings for about 3 months, with Mondays added for about 2 months. For the two weekends before performance evenings (usually Wednesday through to Saturday) it's all hands on deck to help build the set, dress and paint it, then do a technical rehearsal.
We welcome new members! Ever fancied being someone else? Well, acting is a great way of taking on a new persona. If you've never experienced the buzz of pulling off a dazzling performance and getting acclaim from an appreciative audience, we can give you that opportunity. We like to involve new members as soon as we can, even if that means only a small part at first. If you would rather work behind the scenes, there are plenty of roles for you to make your mark, including set-building and decorating, sound and lighting, props, costumes, make-up, prompt, publicity, front-of-house, refreshments as well as producer, stage manager and director.
We put on two productions a year - in May and November - and occasionally enter drama festivals too. Usually we discuss and select the next play as soon as we can after finishing the last one. After casting, we rehearse on Wednesday evenings for about 3 months, with Mondays added for about 2 months. For the two weekends before performance evenings (usually Wednesday through to Saturday) it's all hands on deck to help build the set, dress and paint it, then do a technical rehearsal.
MEMORY OF WATER
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The Memory of Water is a comedy written
by English playwright Shelagh Stephenson.
Three sisters; Teresa, Mary and Catherine, come together before their mother's funeral, each haunted by their own demons. The play focuses on how each sister deals with the death and how it directly affects them. The three each have different memories of the same events, causing constant bickering about whose memories are true. As the three women get together after years of separation, all their hidden lies and self-betrayals are about to reach the surface.
A theme of the play is, eponymously, memory. The sisters' memories interact with each other, and show that despite synchronicities of time and place they cannot agree upon one unifying experience. This is echoed in Vi's final speech, which portrays Alzheimer's disease as being adrift among a series of islands of your own identity. The sisters drift around their own islands of memory, unable to agree on one particular point, and yet are unified by their familial bond (Vi comments that "some things stay in your bones").
The play exhibits the unity of time, place and character present in a tragedy, as the play seems to take place at one time, in one space and without change in the characters' outlooks. However, because the comedy here is so often interspersed with the tragic it may be said to be a tragi-comedy.